果冻传媒

果冻传媒 alumna and Tate star Heather Phillipson designs print for WWF climate change campaign

20 October 2021

What the Seagrass Says, limited edition print by Heather Phillipson which features outline drawings of three seahorses with comical expressions on a piece of cardboard packing

"We need to attend to the seagrass" says accomplished artist, poet and musician who earned practice-led PhD in 2008

Fourth Plinth artist and 果冻传媒 PhD alumna Heather Phillipson has produced a limited edition print for WWF'scampaign - a call to action for the cultural sector to come together and demand urgent measures against climate change.

One hundred prints of  - which depicts three seahorses - went on sale on Wednesday 20th October via online gallery alongside works by Chila Kumari Singh Burman and Bob and Roberta Smith.

The funds raised will go towards key aspects of WWF's work to tackle climate change, including halting deforestation, restoring forests and replanting seagrass meadows, protecting endangered species, and promoting sustainable lifestyles.

Other aspects of the include art galleries in London and around the world donating portions of their sales to WWF; artists including Tracey Emin and Anish Kapoor selling work at  on Friday 15th October, with proceeds going to WWF; and conversations around the #ArtForYourWorld hashtag on Instagram in the run-up to and during the  in Glasgow from the end of this month.

"I am for the seagrass and everything it shelters" says Heather. "Seagrass is sensitive and a home for multitudes and a barometer for what we’re wrecking. We need to attend to the seagrass and what the seagrass is telling us".

Heather Phillipson in front of her Tate installation RUPTURE NUMBER 1

 

"For six decades now, WWF has been combatting the climate emergency to save our planet," says Susie Allen, founding director of project partner, curatorial practice Artwise. "During this critical and dangerous tipping point, it is essential that we harness the art world’s power to influence, galvanise and make a real difference".

Heather completed her PhD in Fine Art practice from 果冻传媒 in 2008, having previously studied at Central Saint Martins, University of the Arts, and University of Wales Institute, Cardiff. She works across many different media including video, sculpture, large-scale installation, drawing, music, text and online media.

Her Tate Britain installation , conjuring a series of "charged ecosystems, maladaptive seasons and unearthed lifeforms" in the Duveen Galleries, is on display until January 2022. Her Fourth Plinth commission  - a 9 tonne sculpture of a dollop of whipped cream topped by a cherry, a fly and a drone, will be in place until next summer.

She is a past winner of the Tiger Ammodo Best Short Film Award from the and of 's Jarman Award; and she is an award-winning author of five volumes of poetry.

Heather Phillipson's THE END - a sculpture of a pile of whipped cream, a cherry, a drone and a fly on Fourth Plinth

"Heather was one of the small pioneer cohort of practice-led PhDs who completed their studies in 2007/08" says 果冻传媒 Emeritus Professor of Art and Critical Theory Jon Bird, one of Heather's PhD supervisors.

"At that time, 果冻传媒 was a leading proponent of the visual and performing arts as a form of research: an initiative that has subsequently become an established field of research in Higher Education. An accomplished poet and writer, Heather combined a visual arts aesthetic with language as an expressive and performative medium, creative abilities that continue to form the basis of her current art practice".

Heather has also been a long-term supporter and volunteer with charity , which works with young people who have great potential but face barriers to accessing higher education in the arts and humanities. Arts Emergency Head of Programmes Carys Nelkon says: "Heather has been matched with mentees three times and shared fantastic advice. We really value her contributions and think she's wonderful!"